Consulted literature: Books, chapters, & articles (2024)

Acevedo G., Antonio J.: Ensayo sobre la Gaita zuliana [Essay on the "Gaita" festival of Zulia]. Maracaibo, 1966.

Adelung, Johan Christoph (1732-1806): Grammatisch-kritisches Wörterbuch der hochdeutschen Mundart. Wien, 1808. *Mit D.W. Soltau’s Beyträgen revidirt und berichtiget [sic] von Franz Xavier Schönberger.

Agnew, R. Gorden: The music of the Ch’uan Miao. In: Jl. West China border research soc.11 (Shanghai, 1939), p.9-22.

Agrasar Vázquez, Martín & Carballeda Ferreiro, Patricia: A música. Santiago de Compostela, s.a. [2000].

Ahrens, Christian: Die griechische Sackpfeife (Gaïda) und ihre Musik. In: Studien zur Musik Südost-Europas (Hamburg, 1976), p.49-70.

Ahrens, Christian: Ein griechischer Volksmusiker und sein Instrument: zur Stimmung folkloristischer Aerophone. In: SIMP VII (Stockholm, 1981), p.95-101.

Airs du temps: cornemuses du monde, musiques des régions. Ploezal, 1996.

Albertini, Gabriella: La zampogna negli “ex libris” di Vito Giovannelli. In: Utriculus 2;1 (5), gennaio-marzo 1993, p.4-6.

Alexandre, Charles: La cornemuse des Pyrénées françaises [et de Catalogne et des Iles Baléares]. In: The bagpipes in Europe, 1 (1976), p.16-31.

Alexandru, Tiberiu: Instrumentele muzicale ale poporului român. Bucureşti, 2014 (Reprint of Instrumentele muzicale ale poporului romîn, Bucureşti, 1956).

Alexandru, Tiberiu: Dudelsack in Rumänien. In: Musikblatt extra 91 (Göttingen, 1991), p.21.

Allmo, Per-Ulf: Säckpipan i norden: från änglars musik till djävulens blåsbälg (Bagpipes in the nordic countries [From music of the angels to the devil’s bellows]). Stockholm, 1990.

Ambrogio, Aldo: Folklore piacentino. Natale: la piva, i pivari, il presepio. In: Utriculus IV;4 (16), ottobre/dicembre 1995, p.24-27.

Amieva, Xuacu: Método de gaita asturiana. Gijón, 1998.

Amyot, Robert: L’instrument talisman: un Québécois amoureux des cornemuses. In: Montbel/Blanchard: Cornemuses: souffles infinis… (1991), p.98-103.

Angius, Vittorio: Dizionario geografico, storico, statistico, commerciale degli stati di S.M. il re di Sardegna.

Anonymous: Caption to a print of miniature 260 in the collection of Dr. Fritz Schneider, Krefeld.

Anonymous: Caption to a print of miniature 280 in the collection of Dr. Fritz Schneider, Krefeld.

Anonymous: L’anchage des pieds de cabrette (Méthode Edouard Chapot). In: Folklore de France 36/203 (Nîmes, 1986/1), p.3-8.

Anonymous: Mélanges sur les langues, dialectes et patois: Renfermant, entre autres, une collection de la parabole de l’enfant prodigue en cent idiomes ou patois différens, presque tous de France; Précédés d’un essai d’un travail sur la géographie de la langue française. Paris, 1831.

Anonymous: Något om Watländarenas ſeder [Something about the habits of the Watländ minority]. In: Åbo Tidning N:o 65. Onsdagen [Wednesday] den 18 Augusti 1802, p.1, 3 [NB¹: Åbo is the Swedish name of bilingual Turku, Finland; ws]. NB²: ➺ Åbo Tidning (WS).

Anonymous: Orígenes y nombres de Gaitas [shawms]. In: A.G.A. 8 (1995), p.8.

Anonymous: Sequencias: Anton Corral. In: Anuario da Gaita 1998 (13), p.13-15.

Anonymous: Sledujte náš "Gajdyseriál" [Watch our "Gajdy series"]. In: Hutník: Týdenik Třineckých železáren [The metallurgist: Weekly of the ironmongers of Třinec], 61;42 (21 Oct. 2009) & 43 (29 Oct. 2009).

Anoyanakis, Fivos: Greek popular musical instruments [Title on cover: »Greek folk musical instruments«]. Athens, 1979.

Ανωγειανάκης, Φοίβος [Anoyanakis, Fivos]: Ελληνικά λαϊκά μουσικά όργανα. Αθήνα [Athens], 1979.

Arcangeli, Piero G. / Palombini, Giancarlo / Pianesi, Mauro: La sposa lamentava e l'amatrice: poesia e musica della tradizione alto-sabina tra l'Abruzzo e il Lazio. s.l. [Pescara], 2001.

Arends, H.: Muziek uit Japan kent vele vormen. In: Akt 18;5 (Groningen, 1970), p.151-157.

Armstrong, Gerry & George (ill.): The magic bagpipe [1978, The International Piper]. Edinburgh, 1988 [1st Scottish ed.].

Armstrong, Jack]: The Jack Armstrong tune book: the complete compositions of Jack Armstrong and a selection from the repertoire of duets which he played with Patricia Jennings [With an introduction by Alfred Ferguson]. Newbiggin-by-the-Sea, 1995.

Artigues, Toni: Xeremiers: manual de xeremies, fobiol i tamborí. Palma de Mallorca, 1982.

Ashton, Charles: Gweithiau Iolo Goch: gyda nodiadau hanesyddol a beirniadol [The works of Iolo Goch: with historical and critical notes]. Croesoswallt [Oswestry], 1896: NB: ➺ references in Peate !!!

Asociación Galega de Bandas de Gaitas: regulamento campionatos. Ourense [Orense], s.a. [1994].

Атанасов, Вергилий [Atanasov, Vergilij]: Систематика на българските народни музикални инструменти (Systematik der bulgarischen Volksmusikinstrumente). София [Sofija], 1977.

Atanassov, Vergilij: Gaida (Dudelsack). In: The bagpipes in Europe, 1 (1976), p.37-46 + [7] ills.

Atanassov, Vergilij: Die technischen Möglichkeiten der Sackpfeife in Bulgarien. In: SIMP VI (Stockholm, 1979), p.126-129.

Атлас музыкальных инструментов народов СССР = Atlas of musical instruments of the peoples inhabiting the USSR [1963]. Вертков, Константин А. (Vertkov, Konstantin A.) / Благодатов, Георгий И. (Blagodatov, Georgij I.) / Язовицкая, Эльза Э. (Jazovickaja, El’za E.). Москва (Moskva), 1975 (2).

Aubry, Michel: Franco Melis, launeddas-player of Tuili, Sardinia. [Title on cover: launeddas]. In: Proc. International bagpipe symposium… (The Hague, 1988), p.70-78.

Aumüller, Stephan A.: »Dudlsack« und Büllhefen: Schall- und Lärminstrumente aus dem Burgenland (Österreich). In: Volkskunst 3;4 [Volksmusikinstrumente] (München, 1980), p.237-239.

Bachmann-Geiser, Brigitte: Die Volksmusikinstrumente der Schweiz (Handbuch der europ. Volksmusikinstr. 1/4). Leipzig, 1981.

The bagpipes in Europe, 1 (Brussels mus. of musical instr., bull. 6;1-2 [7 essays]). Buren, 1976.

The bagpipes in Europe, 2 (Brussels mus. of musical instr., bull. 8;1-2 [2 essays]). Buren, 1978.

Baines, Anthony: Bagpipes [1960]. Oxford, 1973 (revised).

Baines, Anthony: Woodwind instruments and their history [1957]. With a foreword by Sir Adrian Boult. London, 1962 (2).

Bajén, Luis Miguel & Nuey, Biella: La gaita de fuelle en Monegros. In: La música y la gaita de fuelle aragonesa en Robres (1989), p.14-15.

Bakx, Phons: De launeddas: rietinstrument van de Sarden. Middelburg, 1995. NB: ➺ Review (WS).

Baldano, Giovanni Lorenzo: Libro per scriver l’intavolatura per sonare sopra le sordelline (Tablature book for playing the sordellina; Savona, 1600). Facsimile del manoscritto e studi introduttivi a cura di Maurizio Tarrini, Giovanni Farris, John Henry van der Meer. Savona, 1995.

Ballero, Antonio: Launeddas. In: Launeddas: l’anima di un popolo (1997), p.13, 21.

Balling, Georg: Zur Geschichte des Dudelsacks in der heutigen Nordoberpfalz = K historii dud v dnešním severním Hornofalcku. In: Sonderausstellung: der Dudelsack, Musikinstrument… (1995), p.40, 44-49.

Balling, Georg: Zur Geschichte der Sackpfeife in Bayern. In: Der Dudelsack in Europa, mit besonderer Berücksichtigung Bayerns (1996), p.5-14.

Balling, Georg: Sackpfeifen im Schwäbischen Albverein. In: Schmidt: Sackpfeifen in Schwaben: die Wiederentdeckung… (1997), p.121-124.

Baltrėnienė, Marija & Apanavičius, Romualdas: Lietuvių liaudies muzikos instrumentai [Lithuanian folk musical instruments]. Vilnius, 1991.

Bărbuceanu, Valeriu: Dicționar de instrumente muzicale. București, 1999.

Baretti, Giuseppe [Marco Antonio]: Dizionario delle lingue italiana ed inglese, 9th ed., vol. 1 [Corrected and improved by Charles Thomson]. Londra [London], 1839. (Dictionary as a source).

Barilone, Antonio: Da quando è uscita ’sta televisione i bambini non vengono più appresso agli zampognari. In: Portavamo la cucchiarella… (2001), p.30-32.

Barrenechea (Barrenetxea), (Jose) Mariano: Alboka: entorno folklórico (Colaboración de P. Jorge De Riezu), Bilbao, 1976.

Barthakur, Dilip Ranjan: The music and musical instruments of North Eastern India. New Delhi, 2003 (p.123-124: Mouth organs).

Baudoin, Jacques: La samponha, le retour… (Pastel 1993 – 2013). s.l., 2013.

Baudoin, Jacques: La samponha, le retour, 2: La samponha, la renaissance? (Pastel 1993 – 2013). s.l., 2014.

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Bayer, Xavier: Aproximació al sac de gemecs. In: Luthiers i instruments tradicionals de Catalunya (Calella, 1994), p.49-58.

Bayley, Christopher (Chris): The world of bagpipes: Index A-Z (2016).

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Bec, Pierre: La cornemuse: sens et histoire de ses désignations. Poésie, musique, folklore. Toulouse, 1996.

Bechet, Florica: Symphonia, Chifonie, Zampogna, Cimpoi: sur l’origine latine du nom roumain de la cornemuse. In: Actes du IXe colloque international sur le latin vulgaire et tardif (LVLT 9), Lyon 2 (Bucarest, 2012), p.509-517.

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Becker, Heinz: Mechanische Spielhilfen (Effektoren) als instrumentenkundliches Problem. In: SIMP VI (Stockholm, 1979), p.10-18.

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Beltran Argiñena, Juan Mari: Xirularrua – Gaita de bota: La cornamusa en el País Vasco. Oiartzun, 2012.

Bencker, Ludwig: Bilder aus dem menschlichen Leben, zur Aufheiterung und Belehrung dargestellt. Lindenhardt im Oberfranken, 1839 (p.85-89: Der Bockspfeifer).

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Bernardini, Paolo: L’aulete di Ittiri. In: Launeddas: l’anima di un popolo (1997), p.205-209.

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Bertrand, Guy & Menetrier, Bernard: Instruments de musique populaires traditionnels en Gascogne. Toulouse, 1982.

Bibby-Wilson, Kim & Moore, Anne (eds.): Morpeth Chantry Bagpipe Museum: souvenir guide. Newcastle upon Tyne, 2003. NB: ➺ Review (WS).

Bicego, Daniele: Quel pezzo di legno nero: La müsa del suonatore detto Pillo (That piece of black wood. The musa¹ of the player called Pillo). In: Utriculus, Nuova serie XIX (60), II semestre 2020, p.35-41 (104).

Bielawski, Ludwik: Polish instrumental folk ensembles. In: SIMP X (Stockholm, 1992), p.50-55.

Biella, Valter: Ricerca sulla piva nel bergamasco. Bologna, 1985.

Biella, Valter: Il "baghèt": un’antica tradizione bergamasca. Testi musiche e strumenti. Bergamo, 1988 (Quaderni del Misma).

Biella, Valter: Il baghèt bergamasco. In: Corsaro: La zampogna «messinese»: riflessioni… (1992), p.19-22.

Biella, Valter: Legno, corteccia e canna: strumenti musicali nella tradizione popolare bergamasca ([Wood, bark and reed: musical instruments in the folk tradition of the Bergamo area]). Bergamo, 1993.

Biella, Valter: Il baghet – la cornamusa bergamasca. Bergamo, 2000 (I quaderni della Meridiana n. 3).

Biella, Valter: Il "baghèt": la piva delle valli bergamasche. In: La zampogna: gli aerofoni a sacco in Italia (2005), I, p.1-21.

Biella, Valter: La cornamusa nel Canton Ticino (Appendice [all’articolo] "Il Baghèt"). In: La zampogna: gli aerofoni a sacco in Italia (2005), I, p.22.

Biella, Valter: Alcune riflessioni su come fotografare e disegnare cornamuse e altri strumenti etnici a fiato (Some reflections on how to photograph and how to draw bagpipes and other ethnic wind instruments). In: Utriculus, Nuova serie XIII (48), II semestre 2014, p.21-28 (136).

Biella, Valter: La müsa delle Quattro Province (The "musa" [sic] of the "Four Provinces"). In: Utriculus, Nuova serie XIII (48), II semestre 2014, p.29-45 (136).

Biella, Valter: Il baghèt: note organologiche su metodologie di progetto e costruzione delle antiche cornamuse bergamasche (The baghèt: organological notes on methodologies of planning and manufacturing the ancient bagpipes from Bergamo area). In: Utriculus, Nuova serie XIV (49-50), 2015, p.43-74 (193-194).

Biella, Valter: Il baghèt: note organologiche su metodologie di progetto e costruzione delle antiche cornamuse bergamasche (Parte II) (The baghèt: organological notes on methodologies of planning and manufacturing the ancient bagpipes from Bergamo area (Part II)). In: Utriculus, Nuova serie XVI (53), I semestre 2017, p.43-56 (122).

Biella, Valter: Pia o baghèt: La cornamusa in terra di Bergamo. Casnigo, 2010 (Quaderni casnighesi, 8).

Biella, Valter: La cornamusa bergamasca: le origini, tra XIV e XV secolo (The Bergamo bagpipe. The origin, between the 14th and the 15th century). In: Utriculus, Nuova serie XVIII (57-58), 2019, p.59-73 (140-141).

Biella, Valter & Pellegrini, Rita: Orsù, cornamuse, più gaíe. Iconografia della zampogna tra Como, Bergamo e Sondrio. Vercana, 2015.

Bigot, Laurent: Quand on entend le bruit du biniou: on ne peut s’empêcher de sauter! In: Montbel/Blanchard: Cornemuses: souffles infinis… (1991), p.94-97.

Bigot, Laurent: Aux origines d’une grande tradition. In: Ar men: la Bretagne, un monde à découvrir 59 (s.l. [Douarnenez?], 1994), p.26-34, 38-39 (Le couple biniou-bombarde; [NB: ➺ Parades]).

Blaikley, D.J.: Notes on the Trumpet scale. In: Proceedings of the Musical Association, 20th Session (1893-94). London, 1894, p.115-124.

Blanc, Bernard: Les cornemuses du Centre: filiation et évolution = The bagpipes of central France: ancestry and evolution. In: Les cornemuses de George Sand: autour de Jean Sautivet… (1996), p.28-31, (103-105).

Blanc, Bernard: Les musettes Sautivet. In: Trad magazine 107 (Saint-Venant, 2006), p.90-91 (Cabrettes et musettes à l’étude, 8).

Blanc, Bernard: Cabrettes à l'étude. Description technique de la cabrette. In: Ricros (et al.): La cabrette… (2017), p.[584]-611 [NB: ➺ Deviating title in index (Sommaire, p.[11]): La cabrette à l'étude. Description technique de l'instrument].

Blanchard, Jean: Manipulons les mythes: du soliste à la Grande Bande. In: Montbel/Blanchard: Cornemuses: souffles infinis… (1991), p.12-17.

Blanchard, Jean: La voie des bourbonnaises: entretien avec Bernard Blanc, luthier. In: Montbel/Blanchard: Cornemuses: souffles infinis… (1991), p.72-83.

Blanchard, Jean: Créer une bulle sonore: entretien avec Patrick Mollard, joueur de pibroch. In: Montbel/Blanchard: Cornemuses: souffles infinis… (1991), p.104-111.

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A.C. [Antonietta Caccia]: La zampogna e la cicala [The bagpipe and the cricket (insect)]. In: Utriculus VII;1 (25), gennaio/marzo 1998, p.36 (Curiosità zampognare).

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Caccia, Antonietta: Il Canonico Maccari e il Suonator di Cornamusa (The Canon Maccari and the bagpiper). In: Utriculus XI (43), luglio/settembre 2007, p.5-12 (48) [NB: ➺ Maccari].

Caccia, Antonietta: Uno studio organologico-linguistico sulle cornamuse in forma di dizionario (An organological-linguistic study of bagpipes in the form of a dictionary). In: Utriculus, Nuova serie XIX (60), II semestre 2020, p.55-59 (105) [Review of Editobari]

Caccia, Antonietta: Strane zampogne con il bordone all’insù. Alcune note e immagini su un’anomala zampogna nell’iconografia dei secoli XV e XVI (Strange zampogna with the drone up. Some notes and images on an anomalous zampogna in the iconography of the 15th and 16th centuries). In: Utriculus, Nuova serie XX (61-62), 2021, p.19-73 (132-134).

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